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Tag Archives: Erin Prais-Hintz

Channeling Chanel

18 Friday Feb 2022

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Allegory Gallery, Apoxie Sculpt, Erin Prais-Hintz, Famous Vintage Bead Hoard Liquidation Destash

I have collected a fair amount of things that don’t have holes but that I love anyway. Much of it is vintage, and I love vintage things. So I took a couple of classes about using Apoxie Sculpt with Erin Prais-Hintz. That is a two-part epoxy clay in which I can embed things. It cures hard in 24 hours. It is pretty easy to use, but I still need practice. I get nervous I won’t mix the right amount of each part or that I won’t be happy with the less than perfect spacing of items.

Blank square brass bezel with another one next to it with beads laid out in the recessed parts.

Here is a design I was working out last weekend. I have a bunch of shallow square brass bezels. I used vintage no hole pearls and grey nail head sew-on beads. The bugle beads are contemporary. Once the design was done, I used black Apoxie Sculpt to embed the materials. I used a pointed tool to texture the parts that showed. Once dry, it looked sort of like lava rock. I don’t mind that the spacing isn’t perfect.

Pendant of finished bezel with a strand of grey pearls and brass spacers necklace.

I glued a vintage brass bail onto the bezel to make it a pendant. (I will be so sad when I run out of those!) I used grey pearls from Allegory Gallery, some brass spacers, and a vintage grey pearl box clasp. It does remind me a little of the look of Chanel, different than my usual more bohemian, colorful style.

I got the bezel, no-hole pearls, bail, box clasp (and possibly the sew on beads) from Famous Vintage Bead Hoard Liquidation Destash.

I’m doing some smaller projects to give me practice and confidence for larger projects that are still in the dreaming and scheming phase.

Stones

03 Saturday Apr 2021

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Allegory Gallery, Andrew Thornton, Erin Prais-Hintz

I was cleaning my work surface and there was a jasper pendant. I remembered I also had some mookaite beads that I thought would look good with it. I found those, and instant necklace! I wanted to add one other element. I had been ready to put away a box of polymer clay beads by Erin Prais-Hintz when I knocked them to the floor. One had hidden, so it hadn’t gotten put back, and it was also on my table. I thought it worked well with the stones, so I included that.

Necklace with small coin shaped beads in red, brown, tan, yellow and mauve. Gold chain is at the back. One red, black and gold tube bead is on one side. The pendant is red, grey, black with lines going through it.

I knotted it on grey waxed linen and added chain extenders on each side to make it the right length. I got the stone pendant and beads from Allegory Gallery.

I think the necklace is really pretty. I can’t wait until I feel comfortable wearing jewelry out of the house again.

18 Beads of Christmas – Sneak Peak

19 Saturday Dec 2020

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25 Beads of Christmas, Apoxie Clay, Candie Cooper, Erin Prais-Hintz, Jewels of Sayuri, Loralee Kolton

On my last post about how much I am enjoying Candie Cooper‘s 25 Beads of Christmas advent calendar, loyal reader Divya (who has a great blog of her own) said it would be fun to follow along and see the beads, so I am going to post pictures.

Hand painted coin envelopes in different colors and patterns nestled together in a cardboard box. Each has a black number stamped in the corner.

Candie talks about them on her lives and posts extras in her shop, so I am not giving anything away as long as I don’t post beforehand. I’ll post photos through the bead for yesterday, and then do another post of the rest of the beads after the 25th.

Day 1 – This was a large blue ombre Swarovski mesh bead that I’ve already made into a necklace. See that in my previous post.

Day 2 – These are gorgeous vintage acrylic beads. The light shows through in a beautiful way. I love them!

Two acrylic dark red beads with a raised floral design with medium blue highlights. They are a sort of lantern shape and are shown on texture handmade paper in grey tones.

Day 3 – Old new stock mosaic shell large hole bead. Early on in my beading journey, I got some mosaic shell beads at a local bead store (now closed) that had more unusual things. I made a necklace I thought was gorgeous, but is no longer my style. I’ll find that and see if I can use those beads with this one.

Large hole beads with square shell pieces in an offset mosaic pattern with various colors showing featured on grey handmade paper.

Day 4 – Ceramic floral decal barrel bead. I have vintage versions similar to this as well as some art beads that remind me of these. I envision a necklace combining them all. We’ll see!

Thick white faceted barrel bead with red and pink floral decal with green leaves and tan branches features on white diamond textured handmade paper with bits of glitter.

Day 5 – Swarovski rhinestone spacers. I love these and never have enough. I love using these with more rustic beads and components for a beautiful combination of rustic and glam. Loralee Kolton is someone who does this especially well in her jewelry that mixes vintage, art bead, rustic and glam elements in surprising and beautiful ways.

Five rhinestone spacers in purple, topaz, blue, pink and white AB show strung on an unbent paperclip on top of white and grey layered handmade paper with glitter bits.

Day 6 – An African glass bead (from Ghana) with “candy cane” inclusions! (Candie’s fans are called “canes”. I thought this was clever.) I really love the color combination on this.

Blue African glass round bead with red, green and white pieces that looks like candy canes featured on two different colors of grey handmade paper.

Day 7 – Jeweled crown. So fun! It has a hole side to side, so it is possible to put a “head” bead in there.

A tiny gold crown bead with white rhinestones held by white fingers in front of a backdrop of handmade waffle texture paper in white.

Day 8 – Raku bead. I love the colors the raku process produces.

Bronze toned textured raku ceramic bead on white/glitter handmade paper next to a hand painted bronze piece of coin envelope.

Day 9 – Wooden lama bead. This one just makes me smile. These came in various colors, and I’m super happy with my color. It’s very me. I might make a pin out of this.

Salmon colored wooden lama bead with painted details on green handmade paper with cream handmade paper underneath.

Day 10 – This metal channel bead is especially exciting because I’ve been working with Apoxie Clay after a class I took with Erin Prais-Hintz, and this will come in handy for a project!

Silver metal channel barrel bead on waffle paper.

Day 11 – This was a Swarovski dragonfly bead that I also used already in a necklace that you can see here.

Day 12 – Lovely porcelain jasper pendant. I also wanted to feature a few of the little envelopes the beads came in. It is part of the thrill for me. I look forward to using them in some collage work in my art journal.

Cream and grey coin shaped stone bead on handmade grey/blue paper and hand painted coin envelop in gold with a black number 12 stamped in the corner.

Day 13 – Tiny, adorable, detailed TierraCast bunny charm with a little ceramic half circle that I like to think of as a rainbow, or maybe a grassy hill the bunny will sit on.

Tiny silver bunny charm and green half round ceramic bead on green handmade paper.

Day 14 – Jeweled cheetah. I love this! Part of the fun of this experience is getting beads I probably wouldn’t buy. But I will enjoy this; I love a bit of bling. I know it will be the perfect thing for some as yet un-imagined project.

Gold metal leopard bead with white rhinestone face and green rhinestone eyes on green handmade paper leaning against the wooden side of a vintage writing slate.

Day 15 – Large hole Swarovski crystal bead. Years ago when I first heard of Troll beads, I bought one (or more?) and it came with the bracelet. I think I’ll find it and add this bead to it. When I said that to my dad, he said, “Good luck.” Haha! He knows how much jewelry I have, but what he doesn’t know is that I’m pretty sure I know where it is.

Large hole silver rimmed topaz faceted crystal bead on handmade gray paper with a green hand painted coin envelope in background stamped with a number 15 in black.

Day 16 – Filigree curved metal bar. This is a beautiful piece. I can think of so many things to do with this!

Brass floral filigree slightly curved tube bead on green hand made paper.

Day 17 – This is a handsome cast pewter fellow. I think he is a bear or a fox. I like his rustic look, like he could be a cave drawing. He’s really heavy for the size, just nice and solid.

Silver animal bead (bear or fox) standing on wooden edge of old writing slate with green hand painted coin envelope in background stamped with a black number 17.

Day 18 – This large Czech glass flower is a fun one. I know these came out a little while ago, but I didn’t have any yet. It is quite a bit larger than any Czech flowers I have, and will make a nice addition to a pendant.

Large dark red glass flower bead with brown/silver details in the middle on stacked pieces of handmade paper in grey and cream.

Whew! That’s a lot of pictures. Thanks for sticking with me. I hope it was fun. I look forward to opening my bead every morning. I would definitely buy the bead advent calendar again. I especially needed it this year, but it would be fun any year. I’ll fill you in on the rest of the beads in a post after the 25th. Keep staying safe and happy holidays for whatever you celebrate!

Class Successes!

15 Sunday Nov 2020

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Apoxie Sculpt, Erin Prais-Hintz, University of Wisconsin - Stevens Point

As I’ve mentioned, I took a class with Erin Prais-Hintz about working with Apoxie Sculpt. I loved it! She has been teaching a series of classes this fall/winter online through the University of Wisconsin – Stevens Point. I am hoping she teaches more in the spring. Two were jewelry focused (including mine) and an upcoming one on December 11th is about making an art mosaic piece.

For my class, I made two bracelets and a pendant.

Hand holding two cuff bracelets. One with several strands of different chains. One with a textured background, round rhinestone focal, gold hexagon shapes and black rounds.

It’s fun to have some blingy pieces. There is larger rhinestone cup chain on the bottom of each side of the larger cuff. I didn’t realize I didn’t get any pictures of that until I was finished taking photos. I never like to have to go back and re-do things, so I leave it to your imagination!

This is prettier in person. The light blue circle is a vintage foil back glass cabochon. I think I’ll probably patina the metal parts of the pendant.

I’m very excited to use Apoxie Sculpt in more projects. As usual, I have a million ideas. I said in class that this has justified all the vintage cabochons and no-hole art shards I’ve ever purchased! Now I can use them all.

All Work and No Clay…

14 Saturday Nov 2020

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Allegory Gallery, Andrew Thornton: Project Destash, Erin Prais-Hintz, Jeni Houser Alasad

I’ve been quieter on the blog lately because I’ve been super busy. I really missed having enough creative time, so I made sure to get in the studio today when I had the chance. Last night I took an online class with Erin Prais-Hintz about using Apoxie Sculpt. I loved it! There are a lot of projects using that in my future. This morning I made three projects that are currently curing. I hope to have three successes to show in another blog post. Erin has another class coming up on December 11th.

Then, I opened an order from Jeni Houser Alasad I got last week and finally had a chance to check out. I had purchased a beautiful hollow polymer clay pod she topped with a vintage metal kuchi tassel top. This is the kind of thing I love. I’ve become a huge fan of Jeni’s work, which she calls “rustic, organic, homely, and heartfelt.” Great description; I might add quirky! When I saw it, I wanted it immediately because I knew I had the perfect beads to go with it!

Necklace propped up by a stone features a rustic green clay textured pod topped by a metal cap with a small carved animal and a variety of shapes, sizes and colors of textured clay beads knotted on fiber.

The texture and color she added to the pod very much reminded me of this collection of rustic clay beads I have. I got the majority of these from Andrew Thornton: Project Destash. (You can find Andrew these days doing live tutorials on the Allegory Gallery Facebook page most Tuesdays). The littler round carved clay beads I got at Michael’s. I wanted a smaller spacer bead, and found a bag of mixed brown and green wooden beads – the green is the same as the green on the pod. I love my stash!

I often like to add a little pop to necklaces – a contrast of color, shape, etc. Here I’ve added a little animal bead above the pod. (I believe I got that from Andrew’s destash too.) The one larger red bead with the rustic heart is a special bead that has been in my stash before it was even much of a stash. It was fun to use that.

Creativity is so restorative. I’m lucky!

New Bead Post: 9/27

27 Sunday Sep 2020

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Andrew Thornton: Project Destash, Artists for Animals Auction, Auntie Moons, Erin Prais-Hintz, Famous Vintage Bead Hoard Liquidation Destash, Jeni Houser Alasad, Lori Anderson, Sarah Moran, Z-Beads

I have been very unproductive lately. Last week I didn’t even post! I rarely skip a week. I didn’t want to skip another week, but I’m so tired this weekend, I didn’t get anything made. I can tell I won’t before the day is done. I can only deal with getting ready for the work week. But I can show beads.

Two metal earring forms, one white loops with bubble decorations at the bottom, one pink with swirly circle all around.

These are metal earring forms I got from a Lori Anderson’s destash. I’m pretty excited about them. They are really cool. The white ones have a loop at the top and bottom (behind the design) to hang additional beads. They will be fun to make earrings for the Artists for Animals Auction coming up November 2 – 8.

The title of the post is a bit misleading. These aren’t all beads and components I’ve just gotten. But they are all things I don’t think I’ve shown before.

Glass beads in blue white and black with intricate stripe and dot designs. Two elongated ovals and one drum shape.

These are lampwork glass beads by Sarah Moran of Z-Beads that I also got in a (later) Lori Anderson destash. I was super excited about that. I only have one other set of Sarah’s beads. They are usually sold in sets and are somewhat expensive (and totally worth it). These were affordable as a partial set. That is one of the things I love about destash.

Long vintage brass piece with paper that says "this ain't no disco" with disco ball made of shrink plastic at bottom.

This is a pendant by Jeni Houser Alasad of Auntie Moons. The brass is vintage from a post office. The disco ball has shimmer in it that isn’t visible in the picture.

Yellow porcelain flowers with holes in the metal and many petals.

These are vintage porcelain flowers. I have no idea what I will do with them, but they are so gorgeous I had to buy them. They are from Suzanne Branca’s Famous Vintage Bead Liquidation Destash. She has the best stuff. I know it will be perfect in some future project.

Many strands of glass beads including orange flat round with swirls, mint green rounds, "sugar" coated raspberry, patina yellow egg shaped, drop "mercury" glass, white squares with mustard, yellow, black and red tubes, clear faceted and purple rounds.

These are amazing! I ordered various strands from Andrew Thornton’s destash. Some of these are modern, some vintage. I am IN LOVE with vintage glass, and I just got another batch from a recent destash. I don’t even have it yet. These are from a while ago. I just haven’t put them away yet.

I hope you have enjoyed the variety here. I have been cleaning my studio, and it’s so much nicer in there. I still have more to do, but I have a clean surface for my art journaling class that starts next week. I have also registered for an Apoxie Sculpt class with Erin Prais-Hintz, one of my favorite artists. She is offering three classes online through the University of Wisconsin – Stevens Point.

I hope you are well and staying creative in some way.

Beautiful Elements by Heather Powers

10 Sunday May 2020

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Beautiful Elements: Creative Components to Personalize Your Jewelry, Dakota Stones, Erin Prais-Hintz, Heather Powers, Inviciti

I finally got Heather Powers‘ book Beautiful Elements: Creative Components to Personalize Your Jewelry. It’s a very exciting book, and I’ve barely delved into it. I’ve made a tour through all the projects, and each one is something I would like to (and will) do, but the first thing I did wasn’t even making my own components. It was one of the jewelry projects shown using a component from the book.

Necklace by Heather Powers from her book Beautiful Elements

The book shows how to make the leaf toggle/focal (it’s easier than you might think!) But I couldn’t wait to make this necklace. I saw those center drilled stick beads and thought of some center drilled African turquoise sticks I got at a bead show some years ago. I picked them up while hovering in the Dakota Stones booth waiting for someone else to put down some gorgeous apatite rough nuggets so I could buy them (she did and I did). I liked the turquoise, but it was an unusual shape for me. Here was an inspiration for how to use it!

I wanted a focal that made a statement like this leaf. I decided to look in my stash of treasures by Erin Prais-Hintz that I’ve been hoarding. I suspected I’d find something perfect, and some of them should see the light! I was rewarded with with this amazing pendant.

Erin always packages things really beautifully and includes information like the name of the piece, which was on the card this was attached to. I very carefully saved it so I would have it for this blog post. That was weeks ago, and now I can’t find it (until, I’m sure, I push the publish button on this post!) Anywho, I believe this is patina mixed with resin, and it is just gorgeous. There are little touches of pink, and I used this  bead my sister’s girlfriend gave me that is the exact right color. I love that. (Thanks, Lisa!)I also loved using the three Czech glass petal beads that echo the shape of the pendant. The pewter clasp, by Inviciti, has a similar shape too.

I am so pleased with this necklace and that I’ve got some experience using a bead shape that I had trouble with before. That will help open up my designs. Look for more projects from this book in the future.

Earrings Everyday: Dotty

22 Sunday Sep 2019

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BuliBeads, Earrings Everyday, Erin Prais-Hintz, We're All Ears Challenge

It’s been some time since I’ve participated in an Earrings Everyday: We’re All Ears challenge, but I couldn’t pass up the September inspiration. Dotty! I love polka dots and dots of all kinds. There is something so fun about them. I didn’t even look around much in my stash before I found three great specimens. So here we go!

For this pair, I went a little elegant by adding the dotty lampworks beads to some sterling silver jump rings. These are perfect for, well, every day! (Artist unknown; I got these in a destash.)

Next I decided to try a funky take. These feature anodized aluminum scales along with polka dot lampwork by BuliBeads. 

And last but not least, a mod look. These fun polka dot vintage lucite dangles go big and bold with large faux pearls. I could see these on Minnie Mouse herself.

Dots look good in any style! Thanks to Erin Prais-Hintz and Earrings Everyday for this fun inspiration. Go see what dotty creations other people were inspired to make.

Welcome to My Studio

18 Saturday May 2019

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3crows, Allegory Gallery, Andrew Thornton, Cynthia Thornton, Diane Hawkey, Erin Prais-Hintz, Gaea, Gina Chalfant, Heather Powers, Holly Strope, Jules Sontag, Mary Harding, Peter Max, Sara Pulver, Signe Baumane, Staci Louise Originals, Stephanie Schroeder, The Polymer Arts Blog, The Polymer Studio, Wendy Wallin Malinow, White Swan Studio

I’ve been wanting to do a studio tour and finally have. I love studio tours and getting ideas from other artists. I mention this blog post from The Polymer Arts Blog (which I call The Polymer Studio because that’s the name of their magazine I get.) It talks about studios in a really helpful way and links to some fun studio tours.

I tried to do a nice intro, but then I couldn’t figure out how to turn the camera around. It did give me a funny post for Facebook!

I am by no means a videographer or a smooth talker, um, but here is a link to the tour. I can’t figure out how to embed it, even though I’ve done it once before. I hope you find it interesting and maybe get an idea for your own space!

Here are links to the artists that I mention in the video.

Cat lady picture is by Sara Pulver of 3crows

Holly Strope

Erin Prais-Hintz

Gaea

Peter Max

Signe Baumane

Heather Powers

Cynthia Thornton

Also find Cynthia here at Green Girl Studios

Find Andrew Thornton’s work (and other fabulous things) at Allegory Gallery 

Find Gina Chalfant (I’m sorry I pronounced her last name wrong!) at White Swan Studio

I should have re-listened to the Allegory Gallery podcast with Gina to get that name correct. But this gives me the chance to tell you that Allegory Gallery has a podcast featuring interesting interviews with artists. Check them out here.

Wendy Wallin Malinow

Diane Hawkey

I’ll give you a tip. Diane doesn’t post a lot on her site, but you can find some things in shops, at shows or sometimes when she does trunk shows on Facebook. I know as of this writing, Allegory Gallery has a really nice selection of her beads and pendants.

Jules Sontag

Staci Louise Smith

Stephanie Schroeder

Mary Harding

 

You’ve Come a Long Way

09 Saturday Feb 2019

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Deryn Mentock, Erin Prais-Hintz, Ginger Davis Allman, Lorelei Eurto, The Muse, Tracy Statler

More than five years ago, I wrote a blog post with a list of 25 things I wanted to learn, practice or improve. It can be easy to think we aren’t learning or progressing very much because those things sometimes go slowly. However, this previous post came to mind because my mom suggested we look at old blog posts. I’m glad she did. When I read these items, I was surprised how many I had done or how many had changed and were no longer relevant.

1)  Make a beaded bead.

2)  Get a jewelry design published. – This is no longer a goal. So many jewelry magazines are gone, and a kind blog reader pointed out that every time I publish a blog post with a photo of my jewelry, it is being published (thanks, Anne W!) I realized that’s enough for me, and I don’t want to go to the work to get published in a magazine. Limiting the “work” of my hobby keeps it fun and stress free.

3)  Make my own clasp. – Yes, I’ve done this! I’d like to do it more.

4)  Put up a pegboard system in my craft room. – This is no longer a goal because I have put many more organizational systems in place so that I don’t need that specific thing. One is this wonderful way of hanging chain that I got from a peek into Erin Prais-Hintz’s studio. 

5)  Organize craft room into usability. – I consider this done. Although it regularly needs a good clean up, and I’d like to be one of those folks who cleans up after each making session, it is basically organized. It wouldn’t take much time to clean up the mess from my last making session or two.

6)  Make a decent “messy” wire wrap. – I’ve done this to my satisfaction more than once. It doesn’t always turn out the way I’d like, but I know how to make it work.

7)  Make a decent briolette wrap. – I have also done this. There are so many wonderful tutorials available on the web. Thanks to all the artists who share their knowledge.

8)  Make a decent wire wrapped link from the Deryn Mentock tutorial. – I really don’t need to do this anymore. I’m happy to get a variety of similar items from SagaHus Components .

9)  Make a decent leather infinity link from the Tracy Statler tutorial.

10)  Make my own tin bead caps from the Lorelei Eurto tutorial. – I’ve done this. It was so fun!

11)  Learn to rivet. – Done.

12)  Do some metal stamping. – Done.

13)  Learn to take better pictures of my jewelry. – I have learned a lot about this. There often isn’t good light where I live, but I sometimes surprise myself with pictures that are better than I think.

14)  Take a glass bead making class.

15)  Work with color patinas. – I’ve had a blast doing this and wrote a couple of blog posts about it.

16)  Oxidize my wire. – Done.

17)  Improve my knotting. – Knotting is now my main stringing technique.

18)  Use a variety of leather and fiber ends. – Done.

19)  Become comfortable making multi-strand pieces. – I’ve done this. While I prefer single strands, if I had a multi-strand design in mind, I’d go with it.

20)  Use chakra charms in something fabulous.

21)  Re-make a necklace. – Done.

22)  Re-make a bracelet. – Done.

23)  Re-make a pair of earrings. – Done

24)  Finish Jade Scott earrings. – I no longer wear earrings, so I didn’t finish this project. (The thing holding me up was wire wrapping, which wouldn’t be a problem now.)

25)  Make another wrap bracelet.

I’ve done (or changed/don’t need to do) 20 out of 25 of these goals. That’s 80%. Pretty good! Some more of these things are no longer a priority; I don’t think I’d like making glass beads, so I doubt I would take a class. I would take a different class, so I can possibly look for one I would like to take. I won’t make a new list like this, but I will keep in mind that progress is happening whether we think it is or not and also that goals change.

I subscribe to Ginger Davis Allman’s The Muse thrice weekly email newsletter. It is a series of short tips and thoughts that aren’t long enough for a full article, but still worth sharing. A recent email talked about how sometimes we don’t read or attend to things because we think we already know it. But attending to “old” or “basic” information can sometimes help us see things in a different way than when we first saw or learned it. I’m a different jewelry maker than I was five years ago. My style has evolved as has what I want to focus on. This list probably helped me to do that. It was fun to see how far I’ve come not only in how many of these things I’ve accomplished, but in how many are no longer relevant.

 

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