Tags
Andrew Thornton, Earthenwood, Foldio2, Green Girl Studios, Heather Behrendt, Joan Miller Porcelain, Mary Harding, Nikki Thornburg Studio, Orangemonkie, Sasha Crow Artisan Jewelry Components, White Dragon Paper
I recently got a Foldio2 light box. I’m so happy with it as well as with the customer service of the company, Orangemonkie. Now that I have good light, I want good backgrounds! I’ve had the best luck over the years with nice papers. I’ve had some good art papers, but during the pandemic, I didn’t want to go to the store to rifle through them (and haven’t found any good ones the last few times) so I turned to online choices.

These handmade papers are from White Dragon Paper, and I couldn’t be more pleased.
I got two sheets of white – one because it was 11 x 17 and one because it had some flower petals in it, and I love that. White tends to be problematic, though, so we’ll see how it worked out. The next two are grey which tends to be the best background in my experience (and from what others say). I think of the left one as dark grey and the one on its right as light grey, which I thought would be the better one. I got a brown just to try something else. I figured it would be too dark (it is recycled cardboard) but the shop didn’t have a ton of single sheets.) The last is aged, and I just love it. I wasn’t sure if it would be too busy. On to the experiments!


As imagined, this necklace looks better on the grey. The colors are richer, the clarity is better, and the shadows are fewer. There are other factors at play (my editing, how I placed the necklace in the light box.) But I’m never one to spend a lot of time, so anything that makes a photo better without extra fussing is a plus.


I went back to my original blog post about this necklace because I couldn’t immediately recall the raku artist’s name. Oh, these pictures are so much better! Both due to the light box and the background. I chose this necklace for experiments to have something with darker/brown colors. The aged paper is wonderful here! I like the deckled edge, so I left that showing in the upper right on the aged paper. I’ll have to be cognizant of placement in future to make that easier. This necklace pops on the grey too. Both wins.


Both of these pictures are decent. Probably better than many already on my blog. However, I wouldn’t use either of these backgrounds. My experiments were so random. I didn’t get one on grey of this necklace, but I suspect that would have been the winner.


Again, neither of these photos is bad, but I think the crystals and unicorn pop best on the grey. The light grey is good all purpose. I’d like the other white beads to look better. I think they are Czech glass? But adjusting the light could probably improve that. I cared most about getting the AB coating on the crystals. So lovely.


I do think the brown is a bit dark for many things. I thought that might work for some lighter pieces (like the unicorn) but it doesn’t seem to work for many of them. But I like having it on hand, and it was worth a try. Here the grey is a the clear winner.


Here we have the battles of the greys, and I think the light grey has it. The bead details just stand out better. That could be due, again, to my editing and how I did the lighting, but the darker grey seems to drag the photo down.



I think the brown makes the colors look off. I think the aged has it. I’m loving that aged sheet!
I think I’m out of comparisons, but here are some singles.



Here you can see that it’s not just the background that makes a difference – it’s the editing. I’ve clearly done a better job editing the bottom photo. Taking that extra time makes a difference. I do take a little time when editing multiple photos to get one good one for a post. Editing so many at once made me sloppier!

I wanted to try another necklace with browns on the aged. I’m loving the aged! I didn’t do a great job lighting or editing this; the clarity is not there. But it’s a lovely background for this necklace.

I grabbed these earrings that were sitting on the table just to try something else. The light grey is a nice neutral background. I like the drama of the aged paper. The others, especially the white with floral, will come in handy once in a while. But I’m pleased with what I got. I’ll be looking for some more with interest, like the aged. Feel free to share your tricks and tips in the comments.
Your pictures and necklaces are beautiful. I especially like the aged paper but I also like the dark grey paper. The Halloween necklace is absolutely spectacular!
Thank you! I really like that Halloween necklace, but I always either forgot to wear it or can’t find it around the holiday. I know just wear it is and should be able to hold that in my mind until October! 🙂
I love aged the best. It looks great with Foldio’s light and with different bead colours, particularly your more antique and rustic looking pieces. In the gray the light picks up too many mush particles in the recycled background creating a mismatch between the well finished object and background. It may work better in natural light (golden hour).
Thank you. That’s interesting feedback. I hadn’t thought of it that way (the “mush” particles.) I’m actually trying tea dying some paper this morning to experiment getting the look of that aged paper to have a few choices.
Yes, Tea dyed paper would be good too. There are several alcohol inks/sprays that can also give you a distressed look. Sponging gray/dull brown acrylic paint on paper using a rough brush or vessel scrubber can give you a good background too.
Love the brown paper behind the leaf pendant I made; I think it makes all of the colors of your lovely necklace look richer. Thanks for doing all these comparisons.